簡(jiǎn)介：五名好友同游希臘，但是其中一人的伴侶被眾人懷疑可能是個(gè)臭名昭著的騙子，這趟旅行也隨之演變成一個(gè)爆笑的偵探故事。

簡(jiǎn)介：Pietro is a middle-aged man with a great pain behind him: the death of his wife which left him alone with their daughter. He didn't have time to grieve because he had to take care of her, raising her with love and dedication in an all-encompassing relationship.                                                                    　　When, after a few years, he tries to start a new life with a new partner, his daughter's reaction will be explosive and Pietro will be put to the test. He will find himself struggling between anger and paternal instinct: how much can he forgive her? How much stronger is love than reason?

簡(jiǎn)介：身患絕癥的單親媽媽?xiě)?yīng)諾（鐘欣潼 飾），瞞著女兒，打算把她托付給多年未見(jiàn)的父親應(yīng)大海（林棟甫 飾），在應(yīng)諾生命最后的時(shí)光里，她克服死亡的恐懼，用自己的方式守護(hù)著女兒，對(duì)應(yīng)諾有著復(fù)雜情感的父親應(yīng)大海，也在這個(gè)過(guò)程中，將中式父愛(ài)詮釋得淋漓盡致。                                                                    　　在聚焦安寧療護(hù)中，應(yīng)諾與家人開(kāi)啟一段悲喜交加的故事……

簡(jiǎn)介：This is an English-language contemporary adaptation of French writer Fran?oise Sagan’s classic novel Bonjour Tristesse.                                                                    　　The story follows Cécile (McInerny), a young woman spending the summer in a villa in the south of France with her widowed father Raymond (Bang) and his latest love interest, Elsa (Harzoune). Theirs is a lived-in compatibility—a world of ease and languor. But all that soon changes with the arrival of Anne (Sevigny), an old friend of Raymond and Cécile’s mother. Anne’s presence and deep connection to the past alters the villa’s mood. While her way of life appears mismatched with theirs, an attraction—years in the making—forms. Desperate to regain control, Cécile sets in motion a plan to drive Anne away with tragic consequences.

簡(jiǎn)介：本作は、13歳のときから現(xiàn)在に至るまで拉致されたままの橫田めぐみさんを主軸に、田口八重子さんを含む拉致被害者の苦悩と闘いを、綿密な取材にもとづきリアルに描寫(xiě)した劇映畫(huà)。1人の女性が體験する悲劇や、家族の愛(ài)情と正義に立ち向かう人々の織りなすドラマが映し出される。

簡(jiǎn)介：幼馴染が失蹤した。 私に何も言わずに。 彼女の影を追うと、自らの住処を 國(guó)と呼び、廃墟に住まう集団と出會(huì)う。 國(guó)では、 外で普通に生きれなかった人々が共同で暮していた。少女は自分の「真実」へと近づいていく。